Seven Singing Bowls Tuned To The Seven Main Solfeggio Chakra Frequencies.
The best quality singing bowls. Tuned to the solfeggio frequencies. The sweetest sounding and longest resonators i can source, cast and turned in a workshop in kathmandu from the traditional 7 metals. “Solfeggio set completed 24th 7 21″. Highlight/select the link text (place the mouse cursor next to one end of the link text and hold down the left mouse button and run the mouse cursor over the link text to the other end, then right click on the highlighted bit and choose from the menu that appears to “open link in a new tab” or window or just to “open it” on the same page :). The singing bowl set pictured is very similar to the set on offer. The largest bowls are approximately 6.25 inches wide and the smallest go to around 4 to 4.25 inches wide. Being turned and hand finished bowls they emit one main tone which is ideal for sound therapy work involving the solfeggio frequency set. Tibetan beaten bowls are fine to work with however they often emit several dominant tones which can interfere with the specific sequence of tones employed here. Bowl frequencies the 6 main solfeggio frequencies included in this set are a 396 hz, 417 hz, 528 hz, 639 hz, 741 hz, and a 852 hz. The seventh is a 963 hz which is assigned to the sahasrara chakra by the mainstream currently. See my other listings for more already tuned solfeggio frequency singing bowls and tubular bell and tubular bell wind chime sets. Included some photo’s with this listing of my home workshop where some of my collection where tuned to a truly amazing musical scale gifted during a transcendental meditation experience, details of the find are in the article below. If it is just solfeggio information that interests you, scroll down to the paragraphs with solfeggio in the header. The one titled “a fuller solfeggio alignment list” is one of those. It covers alignments with the omm scale, tesla octave. An updated and better ordered article which now includes information regarding visible colours, the light spectrum. 49 steps up the doubling sequence method that manifests pure gold musically, sits an octave of the light spectrum the rainbow octave. A truly amazing convergence. The tesla octave is the 10th octave and it is 9 steps up the doubling sequence. Frequency genius nikola tesla was very fond of the numbers 3 6 and 9. The tesla octave is the central octave of the seven octaves in which we humans can hear all of the notes clearly. The lowest octave we can discern all the notes clearly in, is the 7th octave and it is 6 steps up the doubling sequence. There are 49 main notes in the musical scale. The rainbow octave is 49 steps up the doubling sequence. 7 x 7 49. It was a fellow ebayer who took an interest in the findings on my listings who works with lasers named gaynor that has encouraged me to take a look into the frequencies of light. The article starts with a brief introduction and then an adjustment of the chakra assignments currently applied to the solfeggio frequencies and their attributes by the mainstream. Before moving on to detail the methods used to obtain the musical (and light) scale. Explanatory charts now accompany the write up in this listing. The orderly maharishi musical scale. The om musical scale. A scale full of auspicious sound (and light) frequencies and numbers from a broad range of differing schools of thought that converge in this aligned to natures doubling sequence musical scale, from gurdjieff to solfeggio and nikola tesla’s work and the awesome vedic 108. The visible light spectrum colours also align with the omm scale octaves values in this doubling sequence aligned time and music scale. 50 nths up the calculator. Net geometric sequence calculator. Input 1 in “the first number” box. 2 in the “common ratio” box to get the calculator to double up each step. And 50 in “the nth number to obtain” box and bingo : the frequency for the colour red. Once you multiply the answer by. Why this is done becomes clear when studying the article below. The other number/notes/values in the octave that starts with 1 hz are 1.125 hz, 1.25 hz, 1.375 hz, 1.5 hz, 1.6875 hz and 1.875 hz. The colours that manifest are red, orange, yellow, green, blue, purple/indigo/violet, and ultra violet. The next colour possibly being an ultra red. A return to the correct spiritual order. The mainstream alignments of the solfeggio values to the chakra’s currently make no sense. My small adjustment sorts it all out. I have a well-founded view which yields a far more appropriate alignment of the properties assigned each solfeggio tone that places the 528 hz frequency in line with the heart chakra, due my findings working on a balanced super symmetrical tesla friendly musical scale (the om musical scale) which manifested 528 hz at its very centre, right at the heart of it all. Aligning 528 hz with the worker of miracles, the love chakra, the heart chakra, adjusts the position of the others, making more sense of the properties assigned to each of them as well. The 396 hz “liberating from guilt and fear” then aligns with the waterworks/sexual chakra. This also makes more sense. The 417 hz aligns with the progenitor and increaser of flow and movement, the heating radiating rays of the sun chakra (facilitating change). The 639 hz will align with the throat chakra which is our communication centre facilitating and aiding “connecting and relationships”. And the 741 hz with its “awakening intuition” tag then gets assigned to our third eye chakra. This places the 852 hz “return to spiritual order” tagged solfeggio value up to the sahasrara chakra position. Pushing the 963 hz up to the most excellent magnificent stable point of view where we perceive the whole moving with exceptional clarity. The pole star chakra. Making the 285 hz our grounding earth chakra tone. A much better arrangement of the properties of each frequency with the correct chakra positions. A far more logical set of alignments all round. Orderly maharishi musical scale. The miracle tone 528 hz, is very special. It manifests in the omm scale all by itself, right at the centre of all the notes when aligning time and octaves a notes with doubling sequence values. The omm scale has many octave’s which contain other solfeggio and 108 hz sets and gurdjieff frequencies and many more amazing alignments with recognised benefic frequencies. For those not familiar with what forms an octave and what a pitch is in music, read the paragraph below titled “octave” copied from an frequency list site. Two of the world’s major religious groups most revered numbers, both present in the om musical scale. First on the agenda. Why align music and time to the doubling sequence our ears are tuned to it. All the a notes intervals jump up twice the hertz amount between the notes either side of them. The g note gap is half the size of the gap between the next a and the following b note in the next higher octave, and this sounds in tune to our ears for reasons i wish where better understood. We are geared up to this sequence naturally. Every octave is the same. There is this jump in vibration rate. A doubling up of the interval size of each octave. Explaining how to align music and time to natures doubling sequence. This sequence 2, 4, 8, 16, 32, 64, 128, 256, 512,1024 etc. Time adjusted to line up with natures doubling sequence. Music and it’s tones are metered/quantified by timing. Hertz is a measurement of how many cycles/vibrations take place in a given period of time. We will be changing the length of the second during this adjustment of how time is metered and consequently the sound of the numbers/values. First we simply split the fixed time reference. Our planet earth’s day. Split each earth rotation in half and we have our day and night. Keep on following the example nature employs by halving/splitting again and again. First in half and then quarters and eighths and then sixteenths. I stopped at sixteen intervals, 16 hours, which i call earth hours (e hours) to differentiate between standard hours (s hours). 32 e hours would be short hours indeed but not totally unacceptable. Interestingly whoever chose our current 24 hour day chose bang in the middle of the doubling sequence values of 16 and 32. 24 is right in the middle of 16 and 32. Further split the e hour (staying true to the doubling sequence) into 64 e minutes with 64 e seconds. There are 90 standard minutes in an e hour. If you do the following math you arrive at the golden numbers 1.3183595 and 0.7585185185. 24 hours of 60 minutes and 60 seconds gives us 24 x 60 x 60 86400 seconds in one day. 16 e hours of 64 e minutes with 64 e seconds gives us 16 x 64 x 64 65536 e seconds. 86400 divided by 65536 1.3183595. This is the amount of standard seconds in an earth second. 65536 divided by 86400 0.7585185185. This is the amount of earth heartz present in a normal standard second. The purpose for gaining the second ratio is to calculate the standard hertz value/equivalent of an ehz. The sound of an ehz in hz. Multiplying any ehz value by 0.7585185185 will provide its standard/normal hz equivalent. Check it if you like, multiply the first ratio. 1.3183595 by 0.7585185. You will get 1. 0.7585185185 is the number that enables the tuning of singing bowls and tubular bells to within a heartz of the doubling sequence values applied to the longer e second, using the brilliant and free audacity freeware. Aligning music to natures doubling sequence. How it is done and how 108 manifests itself as an hz value automatically. First of all each a note (octave start) is assigned a value from the doubling sequence. The starter chart included in this listing has a clear explanation/guide. Showing how 108 and its doubles manifest themselves in doubling sequence value aligned music regardless of how time is metered. 108 has cosmic distancing factors attributed to it and it and it’s multiples are the bridging tones in all the octaves between the only two notes arrived at in the doubling/dividing method that do not sound good when aligning octave starts (all the a notes) vibration rates (heartz) with doubling sequence numbers. Those doubling sequence numbers/values are (once again). 1, 2, 4, 8, 16, 32, 64, 128, 256, 512, 1024, 2048, 4096, etc. The lowest octave that we can comfortably hear/discern all eight notes in is the octave that starts with 64 heartz. Cycles per second it used to be called. It is the 7th octave. Six steps up the doubling sequence. Ascertaining the mid-point between the lower and higher a, its double vibration rate wise, and making that value a note, we get a note closer to a set of eight notes. Splitting again between that note and each a either side of it in the same fashion gives us five notes. Splitting in the same way once again between each newly generated note and the other already existing notes gives us 9 notes initially but that soon resolves itself. The first five notes in the sequence sound in tune, the 6th and 7th do not. The 8th and the last a sound fine once again. Splitting once again in the same fashion between those two off key 6th and 7th notes we gain our (in tune) bridging tone. Here comes the shocker which manifests 108. The octave that starts at 64 cycles per second goes 64 (plus 8, also a doubling sequence value). 64, 72, 80, 88, 96, 104, 112, 120, and 128, the higher a. Splitting mathematically the off key 6th and 7th notes gap/interval down the centre between 104 and 112 gives us 108. Abandoning the 6th and 7th noctave note (noctave is the name applied to the doubling sequence derived initial 9 note sequence) and adopting the 6.5 note (which sounds perfect) leaves us rather tidily with 8 notes. 108 is of great significance to vedic culture based religions and schools of thought and with good reason it turns out. We end up with a 6.5 noctave note set in the noctave. It is the 6th in the octave. I used to call this set the om set, i call it the 2nd om set now. You will see why shortly. Octave sets (short for octave note sets) in the main chart, are the notes arranged in columns of doubled up vibration rate notes. The a’s b’s c’s d’s etc. The higher and lower pitches of the notes. The doh ray mi’s. Nikola tesla’s favourite numbers. The frequency genius nikola tesla stated if you knew the magnificence of 3, 6 and 9, you would have a key to the universe. Further in is a short paragraph titled “compression of time and possibilities for light”. We may have here such a key to which nikola tesla was referring. Self-sustaining frictionless flowing light/energy/electricity. And/or friction filled heat generating technologies. There are possibilities for applying the knowledge to the manufacture and development of ozone generators along the lines of the joe cell. A chance to reverse the polar ice melt catastrophe. Aligning music and time to this doubling sequence has already opened a window that has revealed delightful patterns and convergences in the natural order, not just this musical scale packed with multiples of three’s sixes and nines. Could this be a nikola tesla frequency key a window that yields an elegantly simple view on the structure of matters currently missed/lost to us a way forward into the future. All the notes in the om musical scale are divisible by three and six. Four of the columns are divisible by nine, the other three note columns yield. 6r (r equals recurring in maths) values. 3’s 6’s and the 9’s. (the two omitted noctave notes do not fit in with the 3’s 6’s and 9’s). This makes for a very coherent resonating frequency scale with many amazing solfeggio alignments including a 1296 hz which is yet another solfeggio frequency. A 288hz (solfeggio 285 hz) a 648 hz (solfeggio 639 hz) a 960 hz (solfeggio 963 hz) and an 864 hz (solfeggio 852 hz). The gurdjieff 384 hz is close to a solfeggio 396 hz and the 432 hz is not so far away from the solfeggio 417 hz. 9 hz doubles up to 18, then 36 and on to 72 hz which is also an ehz note derived from the doubling sequence and 72 hz is a note present in the om musical scale. 3 and 6 hz double up to the following. 12, 24, 48 hz and so on. These too, are notes that manifest in the om musical scale. The octave note 3 hz when halved to gain the octave lower gives us 3 halves (1.5), halve that again and we get three quarters (0.75) 0.75 is a magic number in a 16 hour day as you will see further in. This changes to 1.5 in a 32 hour aligned day. 528 heartz (i call them heartz to negate the negative neuro linguistic programming association that links the sound hertz with hurts), . 528 heartz being central to frequencies is a balancing frequency (see bala paragraph below). As it sits right at the centre of this scale i stumbled into whilst being intuitively lead. Right at the heart of it. I asked if the solfeggio numbers where being applied to correctly metered time. “Look into natures doubling sequence” was the answer received in the stillness of transcendental meditation. Our current method of metering time it turns out is just fine for the solfeggio set of numbers and notes, there are others though : a whole set of them. With staggering mathematical alignments. This has led to convergences beyond my expectations that keep on coming, the more one investigates the charts here on this listing and on etsy the more comes to light. It just keeps on giving. There is definitely more to be found, if you like unravelling puzzles then this is for you for sure. Possibly at the atomic and sub atomic levels. The electron shells where electrons manifest on the wave peaks (which appear as particles to us) when our attention is focussed at points within that energised shell. Energy coursing along paths at distances where least resistance occurs, and/or at paths where energy is pinched between forces might well be at doubling point value distances, possibly incorporating close to 108 multiples spatially as they do in our currently expanding universe. Searching online why 108 is so special includes knowledge involving distancing in our solar system. As is the atom so is the universe springs to mind. A universe that looked very much like a cell about to divide when viewed in the documentary “the principle”. Bearing in mind we are currently in an expansion phase. This doubling sequence alignment has already revealed an octave of light. I subscribe to the expansion and contraction model. It is written in the “life of the buddha” pali sourced book. Buddha stated he “witnessed many past births through many expansions and contractions of the universe”. That has clinched it for me. 108 distancing would therefore alter slightly during this breathing in and out of the universe. Another 108 sequence manifests along with a whole host of other benefic frequencies. More alignments occurred with this musical scale by tweaking it slightly, as can be seen on the main chart. When the 144 ehz value from one octave yielded its sound equivalent of 109.28 hz i realised we were very close to a standard time 108 hz octave note set. Adjusting the 0.7585185185 slightly to 0.75 gives us this 108 hz exactly. A very tidy find. I set about adjusting all the sound equivalent 0.7585185185 multiplier values by using 0.75 as the mutiplier instead. This is what manifested the orderly maharishi musical scale. There are two 108 sequences in the orderly maharishi musical scale. Sited symmetrically in the second note columns in from each end of the seven note columns. We have arrived at the gold now. The bible code main number 528 aligning with the vedic cultures main number 108 and the planets tones aligned to the days and the chakra’s. Clockwise rotating planets grouped together in one day. The sun on the other side. Earth at one end. Guru (heaven) at the other. Each beside a 108 om note set (and moon associated chakra). With the sadja (and a solfeggio) number set running down the centre. All aligned to our chakras as well in a very spiritual order. All aligned to the colours of the light spectrum in the 50th octave. Return to spiritual order. The symmetry is divine. The mathematical alignments are staggering. Multiply the first box (the first column) by any number and its answers are present in the doubling sequence chart or the two omitted 6th and 7th noctave note sequences. As mentioned before, multiplying by 0.75 the doubling sequence aligned notes and time musical scale to line up the second 108 sequence of notes manifested right at the very centre 528 hz. Central to the set of the seven most audible octaves. The convergences with doubling sequence values in ehz to the slightly altered (0.7585185185 to 0.75) standard hz that occur is a joy to behold. Just 0.0085185185 apart. Sound wise one can barely discern between them. A taster of a few solfeggio 0.75 results for you. 0.75 x 852 639, another solfeggio number. 0.75 x 528 396, another solfeggio number. 528 hz other pitch notes/values, including 132 hz are special too. 176 ehz (a note in the doubling sequence scale) x 0.75 gives us 132 hz. 3 x 132 396. 396 is a solfeggio value. 4 x 132 528. 528 is a solfeggio value. When applying solfeggio sequence values to my longer earth second and inputting the first solfeggio number 174 (ehz) we get. 174 x 0.7585185185 131.98. Are you with me here the solfeggio number 174 aligned to the doubling sequence, a 174 ehz, sounds like 132 hz. 132 hz is a lower octave/pitch note of 528 hz. It could be posited that 63 is the first solfeggio number and heartz value. Applying that value to doubling sequence aligned time and finding out what it sounds like by multiplying 63 by 0.7585185185 yeilds 47.786r hz. The closest whole number is 48. 48 hz is the first note in the om musical scale. 528 x 4 2112. How is that for balanced. 528 x 8 4224.528 divided by 48 11.528 divided by 24 22.528 divided by 16 33.528 divided by 12 44.528 divided by 8 66.132 divided by 12 11. 132 divided by 6 22. 132 divided by 4 33. 132 divided by 3 44. 132 divided by 2 66. 55 is also there in fraction form with numbers that add up to 6. 528 divided by 9.6 55. 9 + 6 15. 1 + 5 6. 132 divided by 2.4 55. 2 + 4 6. 77 is also there but the answer leads us off into the wilds of mathematics. 88’s are of course there as 4’s are there and 99’s, well they lead to infinity. 528 divided by 5.3 recurring gives us 99. 132 divided by 1.3 recurring gives us 99. A taster of what makes 528 hz and its higher and lower (pitches) octave notes of interest, the lower notes are 264, 132, 66 and 33, tesla’s 3’s and 6’s once again :. Bala means strength in devanagari sanskrit. Sanskrit root meanings (called dhatu’s) manifest in indo european languages a lot. Although bala is not a dhatu as it is two sounds, ba and la. We have the word balance. A strong well balanced individual is healthy and see’s things as they are meant to be seen, and takes life and its many wonderful gifts in small doses. In stark contrast to an imbalanced individual. The more imbalanced the more poor life choices are made in the pursuit of happiness leading to further imbalance. Taking drugs or getting drunk and hungover, over and over. Repeating the same life crushing mistakes for a few short glimpses of poor quality fleeting joy. The more balanced we are the stronger we get, the less balanced the weaker one gets. Octave – a very simple definition. Ready “do, re, mi, fa, so, la, ti, do”. The two do’s are an octave apart. The second “do” is a higher octave of the first “do”. The first “do” is a lower octave of the second “do”. The significance of octaves is that they are the same note – the only difference is the pitch. Determining higher and lower octaves of a frequency is a piece of cake – just double or half the number. In theory any sound frequencies higher and lower octaves could have similar effects that the original frequency does. Higher octaves of 7.0 hz, for instance, would be 14.0, 28.0, 56.0, etc. You can keep going until infinity – just keep on doubling it. (end of copied explanation). The sound of the earth when adjusting time and octave doubling sequence aligned values to normal seconds using the 0.7585185185 equation, one doubling sequence value lined up exactly with musicologist hans cousto’s work and his planet earth tone. 256 x 0.7585185185 gives exactly the same frequency. I call this octave note set the earth octave set. The a notes column. Earth and its distancing/frequencies/timings. One thing is for sure. Earth and its timing/frequencies and spacial position in our solar system is life supporting. As the world/matter is energy we sense at the right frequencies, there must be optimum healthy frequencies and sequences mathematically. Aligning our earths time and our music to earths fixed day length/frequency is one healthy and sensible project to engage in. Life exists on earth due to this specific placing in space and its timing/frequency of rotation. Just far enough away from the sun that we do not cook. Just close enough that we do not freeze. Turning just enough to warm us up but not overheat us during the day and not too long at night to freeze us to death. Earths timing is magnificent for us. So aligning how we measure music and time to earths timing is a no brainer. Included above are pictures of my frequency projects, which include the set of the 7 octaves of the doubling sequence aligned musical scale and my solfeggio bowl surrounded doorway. Plus a set arrived at by multiplying by 0.75 (instead of the 0.7585185185 figure which produces the sound equivalent in standard hz of the doubling sequence aligned musical scale). The 0.75 set sounds very similar. It is what yielded the two differing metered time 108 sequences and the 528 hz solfeggio note right in the centre of the 7 octaves most audible to mankind and all the other auspicious well regarded frequencies. A balanced symmetry i named the orderly maharishi musical scale (the om musical scale). In honour of my glorious guru and his super-efficient transcendental meditation technique that gifted us this knowledge. Compression of time and possibilities for light. Compression of time has been implemented here mathematically and it has adjusted the tone we hear of the doubling sequence values. As light is higher frequencies and our universe is currently expanding it may well be that the speed of light is not constant at all. Relatively it would seem to be constant but if a viewpoint outside of the expansion and contraction where possible. From that viewpoint light would speed up as the universe expanded and decrease in speed as it contracted. Black holes show us that light’s speed can be altered in the vicinity of the contracting forces present around them. Visible colour/light spectrum frequencies. Our visible prime colour spectrum frequencies coincide 49 steps up the doubling sequence values at the 50th octave when starting with an octave with 1 ehz as the first a note. Simply adjusting the values derived using either the 0.75 or 0.7585185185 multipliers yields a rainbow. The prime colours align at the higher 50th octave of the om musical scale. How neat and orderly : the rainbow octave. As mentioned before a noctave is the nine note sequence with equal vibration rate differences/intervals arrived at by splitting and following the doubling up/division sequence. The gaps double up. The first five notes sound perfect to the ear. Why do the sixth and seventh sound off to us another finding presented itself. When applying the 0.75 multiplication to the the abandoned 6th and 7th notes/values i found the results are not divisible by three. All the other doubling sequence derived om musical scale notes are divisible by three and six. The 108 sequences are among the four note sequences divisible by nine also. The other two divisible by 9, note sequences, flank the 108 sequence arrived at by splitting between those two (and the abandoned 6th and 7th noctave notes). 64 ehz is the lowest octave start value from the doubling sequence to align music too. As adjusting time to the doubling sequence yields a longer second and gives us an even lower tone. We can feel the lowest notes in that octave vibrate but not distinguish between each note clearly. I have tuned a couple lower than the 64 ehz x. 75 just to find out what the lowest audible 2nd om octave set tone would sound like. Awesome is the answer. 852 hz certainly has yielded spiritual order in a most unexpected way that fills me with joy. If you are at all into nature and mathematics and the elegance thus far encountered you will be more than pleased taking a look at these other wonderful convergences. This time with the frequencies of the other planets and heavenly bodies in our solar system. How the tones of the heavenly bodies presented themselves in the doubling sequence aligned music and time musical scale. We have an earth octave note set as our first (and last) note in each octave, the a notes, and an om octave set as our 6th note in each octave. (it was the 6.5 noctave note in the nine note sequence). The first chakra is assigned earth as its planet by the vedic cultures. What a result hans cousto’s earth frequency assignment matching exactly with the 256 ehz x 0.7585185185 value of 194.18 hz seals the deal here. 256 is a doubling sequence value and therefore in the first column. The lower a note of the 9th octave and higher a of the 8th octave. The other planetware heavenly bodies’ frequencies occur in other octaves. Going up an octave from the 64 hz octave start, we start with 128 hz. The double of its former octave. This also doubles up the common interval amount between each value to 16 (the interval/difference of 16 hz). We get 128, 144, 160, 176, and 192 as our fifth. We of course have dropped the sixth and seventh noctave values due to the discordant sound which occurs in every octave and replaced those two with the om (108 ehz) note set (the bridging tone set) value once again, this time it is the double of 108, 216. The second (the moon) value in this octave is 144 ehz. 144 x 0.7585185185 equals 109.22. Very close to the second set of 108’s. We have to jump up another octave which doubles the 109.22 to 218.44 hz to reach close to a note hans cousto assigned to the moon, 210.42 hz. Close enough for me to assign the second octave note set to the moon which is handy as the second chakra is already assigned to the moon in the vedic system. Venus is also close at 221.23 hz. A moon and venus octave note set. Venus was until recently rich in water. Water/liquid/flowing is the element/state of matter for this chakra. The third (the sun) chakra is the solar plexus. The third value in the above octave is 160 ehz. 160 x 0.7585185185 equals 121.36 hz. Hans cousto estimates/assigns the sun 126.22 hz. That is close enough for me to call the third octave note set the sun octave note set. Again this lines up with the vedic/yoga cultures planet assigned to the solar plexus chakra. The fourth (the heart chakra the sadja) doubling sequence value note in the above octave is 176 ehz. 176 x 0.7585185185 gives us 133.49 hz. 176 x 3 528. Hans cousto assigns 136.10 hz to the sadja tone which is used by the vedic cultures when tuning music. This lines up close enough with my fourth octave note set’s note so i have also assigned to the heart chakra the sadja note and call it the sadja octave note set. It is the central octave set. The fifth note is the central tone still hz difference wise. The perfect 5th of a kind. The fifth value/note of 192 ehz x 0.7585185185 145.63 hz, hans cousto gives the planet mars 144.72 hz – mercury 141.27 hz and saturn 147.85 hz. I call this fifth octave set the planets octave set. The mars mercury saturn octave note set, the solid planets octave set. All the counter clockwise rotating planets. This lines up with our throat chakra which was already assigned mercury as it’s planet by the vedic cultures. The sixth is the ehz 108 om sequence. The third eye and om chakra with its companion bindu chakra at the back of the head assigned to the moon. Om backwards is mo :. The seventh (jupiter/ guru) octave note set has as its value in this octave 240 ehz. (the eighth tone in the noctave but now the seventh in this acquired octave setting and the last column of notes). 240 x 0.7585185185 gives us 182.04 hz. Hans cousto assigns the planet jupiter the tone of 183.58 hz. So i call the seventh octave set the guru octave note set. Jupiter is called guru by the vedic tradition. It means teacher and darkness of ignorance to light of knowledge/intelligence, ignorance to awakening. Lord ganesh is the deity presiding over this wealth giving planet. The 1st octave note set is made up of the earth’s tones and is the earth chakra. 2.2nd is the standard hz om note set and the moon and venus (clockwise rotating) note set and chakra. 3.3rd is the sun tone and chakra. The central 4th is the sadja and the 132 and 528 hz set when using 0.75. The 5th is the solid planets mercury and mars and saturn (the counter clockwise rotating planets). The vedic cultures and hans cousto assign mercury to this chakra. The 6th is the ehz om octave set (with yet again a moon chakra, the bindu chakra associated with this part of the body at the back of the head). From the doubling sequence alignments we get 108. Which leaves us with the 7th octave note set being the guru octave set, darkness to light. A fitting development for the sahasrara chakra :. The planetware sites, planet alignments with chakra tones differ slightly from the ones i have proposed here but do have alignments and fascinating information worthy of spending some time digesting. It was not till i discovered the convergence of 256 and 194.18 hz (which i recognised from lunarsite’s frequency list) that i took a look at the planetware site. I have attempted to contact the site to alert them to my discoveries but i think they have become a business oriented outfit. Hans cousto may well have passed on by now. Doubling sequence aligned miles. This could be taken even further and be applied to how distance is measured. Splitting the circumference of earth again and again to gain a close match to our current mile’s length and seeing what alignments manifest then. A fuller solfeggio alignment list. (with some recaps) including a few as yet unmentioned amazing alignments, one with a higher 108 multiple. Applying the solfeggio frequencies to ehz and then applying the 0.7585185185 multiplication to the solfeggio frequency/numbers to hear what they sound like has been a jaw dropper. The mathematical convergences still blow me away. 63 ehz sounds like 48 hz. The first note in the omm scale. 174 ehz sounds like 132 hz. 132 x 3 396. 132 x 4 528. There is a 132 hz in the omm scale. 285 ehz sounds like 216 hz. 216 hz is the next higher octave of 108 hz. Half of 216 is 108. There is more to the 108 sequence value 216 other than this alignment with the solfeggio sequence. Some of which is covered in the section not far below on the sun and the 111 sequence. There is a 216 hz in the omm scale. 396 ehz sounds like 300 hz. 6 x 66 396. There is a convergence with 666 and the sun’s frequency as well, covered in the section titled 111 sequence. 417 ehz sounds like 316 hz. 324 hz is the closest value in the omm scale and it is a om value, 432 ehz’s sound equivalent. 528 ehz sounds like 400 hz. The gurdjieff tone 384 hz is not so far off 400 hz and it sits at the start of the tesla octave in the omm scale. 639 ehz sounds like 484 hz. There is a very close 480 hz in the omm scale, also in the tesla octave. 741 ehz sounds like a 562 hz. Closest is the tesla octave 576 hz. 852 ehz sounds like a 646 hz. There is a very close 648 hz, once again situated in the omm scale’s tesla octave. 963 ehz sounds like a 730 hz. There is a 720 hz in the omm scale, once again in the tesla octave. 176 is a doubling sequence note/value. If you multiply by three the lower solfeggio values in the sequence you get very close to higher values in the sequence. 3 times 174 522. Not far off 528. 285 x 3 855. Not far off 852. 396 x 3 1188. 1185 hz is a few steps up from 963 hz. 963 to 1074 to 1185 as you climb up the solfeggio sequence mathematically employing a 111 hz interval to the first three digits in an whole number. 1185 / 285 1+1 2. 1296 / 396 1 + 2 3. The 2nd 108 octave set sits 11 sixteenths in along the scale from the first a to the higher a. Which equals 68.75% or 62.5% plus 6.25%. The octal value for 0.6875 equals 0.54. Two times 54 equals 108. Another one of those crazy and wonderful alignments. Angel numbers they are called, (galeesha) my eldest niece informs me. Solfeggio sequences intervals in standard hertz are 111 hz apart on the whole until you hit a 9 in the sequence. My own set of ehz solfeggio notes starts with a 63 ehz (a 48 hz) and extends right up to the note in the sequence which is 1317 ehz. It’s standard equivalent tone is 998.9 hz. 111, 222, 333, 444, a candidate along with 440 and 432 for standardising music at one time (not in line with natures doubling sequence), and up through 555 to the dreaded 666, and 777. The lucky 777 hz. Almost the standard hz equivalent of earth’s a note sequence and doubling sequence number/value 1024 ehz. 1024 x 0.7585185185 776.722. 777 is the closest whole number and a higher pitch / octave note of the earths day frequency. The sun and 666. The planetware site lists 126.22 hz for the suns tone. Multiply that by two and you get 252.44. The next higher octave. Double it again to the next higher octave and you get 504.88 hz. Very close to the sound of the ehz 666. Multiplying 666 by 0.7585185185 gives us 505.1 hz. Rearrange the suns tone value (126 hz) the1 2 and 6, and you can get 216. 6 x 6 x 6 216. 162 hz is the sound of 216 ehz in a 16 hour doubling sequence aligned day. 1 and 2 and 6 once again. Multiply any of the values in the first box of the main chart by 11 and be amazed at where the answers appear in the chart :. A clue for you as to where the answers manifest. 111 hz is the interval between most solfeggio frequencies. Results of playing the solfeggio set regularly. Do they work well. I started taking sound baths. Setting up my set of six tubular solfeggio bells alongside shelves with my standard solfeggio singing bowl’s. All around a doorway at home, giving them a tap in sequence each morning upon rising to start off the day with a sound bath (tubes now moved during a tweak of my surroundings). I found out all this information and can find no reference to the alignments of the doubling sequence to time online other than my own posts it has led to me creating an orderly seven octaves of doubling sequence aligned musical notes. And the om musical scale and a set of singing bowls tuned to these awesome frequencies. What a hobby : it has kept me occupied during lockdown. I have most definitely become more orderly. Even the way i lay out my doubling sequence aligned singing bowl sets has evolved. I tweak constantly my surroundings to improve life and it is a joy. I suffered some brain damage at the hands of an unenlightened bunch within the nhs. I pity them for the negative karma they have all earned themselves. Sound has helped me recover. In both standard time and doubling sequence aligned earth time. Playing with these sounds and studying this area has been a great aid in recovering some sleep deprivation brain damage inflicted upon me by a not required pacemaker that would switch on every time the heart rate dropped, keeping me up. As it beat alongside my naturally low healthy heartbeat, acquired in part by my long term yoga practice. It took nine months of being driven to an alzheimer type existence to get the dammed device removed (and my driving licence revoked for forcing their hand to remove it) all because they refused to accept my low heart rate was not responsible for a passing out episode. Nine months of nothing but what they term now micro sleeps. It also stated in a recent program on sleep deprivation that it was early days yet but they believe sleep deprivation / poor sleep quality may be a contributing factor in alzheimers and similar conditions. I can tell you. It has been my interest in sound and singing bowls frequencies that has aided my recovery. I think you will agree. I have made an extraordinary recovery. I still have some memory loss but most of the damage inflicted has been to the recall element of memory. The maharishi’s vedic pundits chant om to 216 ehz in the vishnu sahasranama, which sounds like around 163 hz. 162 hz using the 0.75 multiplier. (1 2 and 6 again). They chant in tune with the doubling sequence aligned musical scales 108 sequence. How they arrived at the tone long before and in line with these findings is a mystery. Had i chosen to use the next doubling sequence value of 32 as the doubling sequence aligned time’s hours per day instead of 16 hours, the ehz value of 108 would sound like 163.84 hz. The 108 ehz value of a 32 hour day is the tone which maharishi’s vedic pundits chant om in the vishnu sahasranama. It is the dominant note throughout the recitation. 108 and its effects. Some sounds are definitely good for you. Embarking on this mission to pin down a few optimal tones has yielded great results. The 108 ehz tone alone was a god send. 108 times 0.7585185185 81.9 (82). This is the next lower pitch that the pundits chant om. Some frequency listing sites list for a tone close to this the following. 82.3 associated with bladder (higher octave of 2.57 hz) (tos). Playing my 82 heartz (108 ehz in a 16 hour aligned day) bowl prior to meditation is a practice i once stopped as it used to interrupt the meditation due the need to take a toilet break half way through my program. One of the side effects of a muscle relaxing tone. I play it now (sometimes the whole 108 sequence) before my hatha yoga practice (before my tm siddhi meditation practice). Since starting a course of triphala with rose from maharishi ayur ved products i can play the 108 sequence without the need for a break due the regularity their triphala and rose brings when taken as prescribed, with a little water, just before lying down to retire for the night. Lord shiva mentions the use of one of the three herbs used in triphala when employing a life extending yogic technique. Refering to those of us who get to hear of it as “dear ones” :. Yoga (union) is the settling of the mind into stillness. My passion for yoga and to share some gifts of knowledge (ved) has overtaken me. That is the second sutra of the yoga sutra’s of patanjali. The first sutra is the title. Which is also packed full of wisdom. In the sight of (adarsha, divine sight) the holy/wholesome we are affected/healed/transformed by the coherence they are radiating and we see with greater clarity life as it should be experienced. Ish lord and sha does also. Issa/ (pronounced eesha) jesus lord of lords. Just by being in the vicinity of one in tune with god we are blessed also by the clarity of that flowing coherent radiance. Keep holy/wholesome company is a yoga technique. Adarsha /in the sight of. Just having an enlightened soul in mind is an aid to our own evolution. Isha upanishad is one of the main upanishads. Isha or ish or sha (shah of iran) translates to the word lord in sanskrit dhatu’s/root meanings. Upanishad translates to sit down next to / settle down next to. Settle down next to the lord. The teaching is in the title. Straight to the point. (be still and know god, the christian version of the same fundamental truth). Teacher to the most ancient, is mentioned in the yoga sutra’s of patanjali. Ish (lord) va (vam is the mantra for the water/vasser chakra, matter in its liquid flowing state) the dhatu meaning for va is flow. Prana (loosely translated as energy). Pu ra na va. Pure radiance na (within all things, anu atom/smallest particle, a totality) va. As the maharishi shared with us all, sanskrit is packed full of meaning. Fa and va are close. We form va and fa in the same fashion, with our teeth in the same place on the bottom lip. Va in sanskrit is pronounced half way between va and wa and very close to fa also. Ra ram is the mantra for the fire chakra. Radiant warmth and light emitting effulgent state of matter. Lord of flowing radiance. Teacher to the most ancient, even his name is packed full of knowledge. A technique can be performed employing several limbs of patanjali’s yoga sutra’s simultaneously. Surrendering to the lord, keeping holy company (darshan) and performing pranayama and breath retention and a flow of attention (pratyahara) also. And posture (asana) by sitting as tall and upright as we can without straining to remove any creases in our air and blood carrying tubes to increase the flow of bliss. Practicing just a few of the following silent sounds in the following paragraphs during asana’s is another limb one can employ simultaneously on both in and out breaths. In breaths alone to start with is fine. Eesh on the in breathe and shah on the out. Keep holy company, have the lord on your mind instead of the daily distractions as you breathe. A japa type repetition distraction meditation technique keeping holy company on our minds instead of day to day tasks and distractions taking us all over the place. Issa – eesh and sha. Building up as it suits you. One can mentally repeat with ones breathing the aforesaid when encounters with the mentally agitated occurs to keep oneself in holy company and engage opeksha. Dispassion, for maintaining one’s own coherence and limiting the spread of the negativity. Opeksha is a kind of defence against the dark arts sutra to enable the wholesome to remain as pure and unaffected by the imbalanced ones and one can use the method of keeping wholesome company to employ/engage disspassion for the non virtuous imbalanced we encounter. A light filled japa meditation type distraction technique. It serves no one any good letting a dark one affect the light we have nurtured. Not even the dark ones we encounter, for if our own light gets infected our troubled/weakened darshan will not improve the dark ones imbalanced behaviour. It serves the whole best to remain as coherent as we can and sometimes disspassion is the best choice to engage when encountering the extremely non virtuous caught up in self destructive loops/half lives, embroiled in dark hard lessons even as we feel compassion for the imbalanced. Pu is a dhatu that translate as pure. Na is internal to everything anu/atom/ana and therefore everywhere. And va in this instant is flowing. Ishvara says in the yoga sutras he is expressed by om (pranava). Associating om with the totality and all the qualities light gifts us which includes the light of consciousness and life itself is a blessing. A journey along the kundalini way with some chakra mantra and elements memory aids included, followed by a way to employ these to enliven the flow of bliss. Earth’s chakra is the muladhara chakra. Each of the lower chakra’s are associated with one of the states of matter and the solid state of matter is of course assigned to earth, the lowest chakra. It is where we lay on the land in the lap of our home, mother earth. Lam (la) is the mantra for this chakra. Water lays on the land and the next chakra (svadhisthan) is located at the base of our spine, in line with our water works and the state of matter associated with it is the fluid state, water/vasser. Its mantra is vam (va). The devanagari root meaning (dhatu) for va is flow (movement). God moved over the face of the waters which lay upon the land and the ice melted and the flow increased. The manipura chakra is situated at our solar plexus and its element/state of matter is the effulgent light and heat giving radiant state. Mani (manifest), pu (with its dhatu meaning/sanskrit root “pure”). Ra (radiance) manifestor of pure radiance. The rays of the sun god ra. And its mantra is ram (ra). This increased the expansion along the road to life, becoming many/manifesting/manifold and some of the waters evaporated and the gaseous state of matter and the narrow band where we all live (li va) known as the atmosphere came into being. As the flow increased life began. Anahata is the next chakra and it is situated in the region of our heart and lungs. Heart’s element is air (the gaseous state of matter). Our atmosphere where we live and breathe and its mantra is yam (ya). The next main chakra up is the throat chakra (vishudha) with its element, akasha (space), and its mantra ha or ham (the haeavens). A happy stress releasing relaxation/expansion on our journey along the ever more purifying kundalini road, from the lap of earth into the heavens and on into the unbounded. Ha is the mantra for space. Flow of the lord in space. V, ish, ud, ha. Desiring something from creation/creator/that/all this. A flow of desire. Prime causal/mover of all that we do, it is also our communication centre that aids us in achieving our goals. Bathed in the purifying blissful moonlight chakra. We can gaze at the suns light reflected off the moon directly without seering out our eyes. Here we continue our relaxation and expansion journey onward into totality. With the tension release sound “aah” as we activate the sahasrara chakra and venture out into the unbounded. Onward to the polestar chakra. (google “thesuperbeings. Net/page/pole-star” for a eye opening grip on this chakra) where we gain a more balanced viewpoint of totality, where we see our whole moving, where we see things with clarity as they are meant to be perceived. With a balanced state of being. As already covered, bala means strength in sanskrit. Strong/healthy/ in the right view of how things really are. So 963 hz is good too : very good indeed. From here we gain a sense of the totality of the “a” and the unbounded state. Ra ri (ree) and ru. Ru light of knowledge/consciousness, (guru / teacher- darkness of ignorancre to light of knowledge, a part of the light of life). And ri (ree) receiver and relayer and reflector mo/om, moon, (chandra). We have the word rishi. A knower and conduit/sharer of knowledge. Plus the knower aspect of rishi. (knower), devata (knowing) and chandas (known). Knower of what reflector of what. Knower of that (tat). Ish (pronounced eesh) lord. Made in that’s (tatva, truth flowing) image, of that. That radiating flowing conscious knowing intelligence animating all life as it is reflected upon and received by every soul and particle of creation. The light of life. P pure, ra radiance, ana/anu all the tiniest particles (atoms) and va is of course flow and the a which equals totality. Pure radiance flowing throughout every particle of creation. Employing the chakra mantra’s in pranayama. Breathing in with an body and head expanding silent eesh and then putting our attention on the flowing va chakra as our body fills with air from the base up (no stop sound m when engaging the flow of prana) flowing up as the prana fills our lower regions and our attention moves with it to the radiant ra (fire state of matter) solar plexus chakra, with its effulgent radiance shining along and into the open air of our ya chakra, the heart chakra (the gaseous/air state of matter chakra, pranayama) all the way through to the haevens of our throat chakra, the ha (ham) mantra and the space/akasha element chakra. Space is full of light. All the way to the unstruck sound of silence and the peace filled stars flower garden of the sahasrara chakra and it’s flowing totality aaaaa. To recap eesh va ra ya ha aa aum and breathe out with another ahhh : aaa is there in all the chakra mantra’s. It is after all totality. One can subtly focus on the unbounded totality of aaah. The sound we make on the realisation of matters. Once we have lit our selves up and our chakras are awakened we can simply let our attention flow to the a of totality and enjoy the waves of bliss. It is also pleasing to mentally repeat the sanskrit vowels during the in breathe after reaching the amrit bindu chakra with the aaa sound being the first vowel in that sequence. Aa into aaaa ee into eeee oo into oooo and so on. If you still wish (va ish) for more, with some metering of the breathe and a little practice one can continue by mentally sounding dru followed by va and an extended aaa (druva is the polestar). If your still up for more bliss you can top it off with a long brahmmm and a final aaaaa. The vowel for totality. A very energising practice indeed. Aaa blissfull aaa flowing in and out with the expanding and contracting wholeness we all exist in. D fixed, ru is the light of consciousness with all its glorious gifts we enjoy and va is flow. Fixed light flowing and “a” again into totality and unboundedness. A blissful way to engage in pranayama and keep holy company at the same time. It is called the the eight limbs of the yoga sutras of patanjali for a reason. We employ limbs together. Breathing in with an expansive eesh va ra ya ha a aum we fill up with energising flowing radiance, we breathe in om. Prana flowing, (prana/energy, va/flow). Maintaining an upright posture employs the asana limb also and aids in keeping our internal tubes carrying the air and blood (energy) around our body kink free which assists in the flow rate of those and the flow of consciousness and bliss. When indra is asked by a new arrival to heaven (in one of the upanishads) “what is the best boon he can grant”, he replies eventually. One can employ isha. (ish and sha, lord of lords, issa). Or ishvara’s name as silent mantra’s as we breathe in and out thus engaging several of the yoga sutra’s eight limbs of patanjali. Namely asana/posture, by sitting or standing as straight and as tall as we comfortably can. Pranayama/breathing, and focus of attention and flowing to that focus (ah/totality flowing/expanding/va) and keeping holy/wholesome company (adarsha/darshan) by mentally repeating a name of a light aware being as we breathe in and out. I use a silent eesh breathing in, and a sha on the out. Or i flow with the chakra’s and breathe in a head expanding eesh and then putting the attention on the va/chakra and then the ra/chakra with an ha sound as we breathe out. When time allows i employ all of the mantra sounds whilst breathing in. Starting with a head expanding lord sound, ish. Followed by filling up with air/prana in sequence each chakra, from the lowest to the highest whilst silently repeating each of the chakra mantra’s. Va ra ya ha aa and aaaa. And hold onto the generated bliss as long as i comfortably can. And then let the spent breathe, (and all the toxins released) flood out on the out breathe. All done without the m stop sounds of the chakras mantra’s so that they flow, flow along the expanding chakra river/road, up and out into the unbounded space element (akasha) state of matter, from earth out into the ha evens/heavens, ham/ha is the throat (and space element) chakra mantra. The a of totality. Eesh and haaa is a condensed way that works well also. It says in the transcendental meditation puja, right at the start, whether pure or impure whether purity or impurity is permeating everywhere, whoever opens himself to the expanded vision of unbounded awareness, gains inner and outer purity. Apavitrah pavitrova sarva vasthan gatopiva yah smaret pundari kaksham sa bahya bhyantarah shuchi. Whether pure or impure, . Sarva vasthan gatopi va. Whether purity or impurity is permeating everywhere. Whoever opens himself to the expanded vision. Of unbounded awareness gains inner and outer purity. Vibrating energy is everything. A is the first sanskrit vowel and as the maharishi pointed out when discussing the sanskrit language, a is totality. Aaa (which we generate by opening the mouth and breathing in and out) gains a point value with the stop sound m (which we generate by closing our lips). Aum is followed by the opening once again and an unavoidable ma is generated. Point to infinity and infinity to a point. The vibration (brr) the effulgent light (ra) and accompanying sound/vibration/light/manifestation/movement (aum) the creation (ma). Sound and light is everything we are. As einstein pointed out. There is just energy. The vedic cultures already had this one in the bag albert along with the anu (atom). Flow/ fa and va. Both the fa and the va sound, are formed in extremely similar fashions by the teeth and the lips. Sanskrit pronunciation of va, is a mix of western va wa and fa. Pranava (pure radiance, energy/light of consciousness, ana/anu all the tiniest particles, va flowing). Pure energised light of consciousness flowing through everything. Flowing from where to what from point (ak) to infinity (a). Akasha, ak a sha / a, the time/space state of manifestation. Expanding/flowing from point to infinity/totality and from infinity to a point. “Folding back on myself (tat tvam asi) i create again and again”. It is advised in the yoga sutra’s to engage in contemplating ishvara’s pranava. Gaining a greater clarity and fuller grasp of om’s all-encompassing meaning is indeed a great aid. Gaining a more complete word association with om’s fullness. One sound, one super positive all encompassing om. It is a flowing life supporting sound. Not a stopping sound. It does not say “yoga is stopping the mind”. It says yoga is the settling of the mind into stillness. When the mind has settled we are established in our own essential nature, unbounded consciousness. Stopping is inert and introversion and renunciation and a kind of death which is not what om is about. As maharishi points out on a youtube video, withdrawal symptoms can occur for some using om without guidance. To be as settled and as comfortably erect and upright and relaxed as it is possible to be to assist our systems flow rates and to be fully awake to experience the bliss filled wonders of that settled state. Settling into stillness whilst remaining awake and aware leads us to the clarity of the unimpeded frictionless flow of consciousness achieved when we relax the play of opposites into a balanced settled state of mind and body, letting go of everything else and being focussed on that singularity, that settled state. In reality there is only one singularity. Everything else exists within that. Focus is all about being attentive to one matter. That made it so easy for us. Focussed on the biggest singularity possible. Seek ye first the kingdom of heaven and all will be given unto you, the saying goes. Be still and know god. Yoga is the settling of the mind into stillness. When the mind has settled we are established in our own essential nature. Which is unbounded consciousness. At all other times, the mind is overshadowed by the activities of the mind. Follow the flow of bliss, om is all about life flowing, om is life. I worship the good (god) within you. This item is made of seven metals and singing bowl, singing bowls, singing bowl cushions, singing bowl stick, love, 396 hz, 417 hz, 528 hz, 639 hz, 741 hz, 852 hz, 963 hz.